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Lord of the Rings: The Return of the King, The

2003, Germany, New Zealand, USA

Genres:

Action | Adventure | Fantasy

Actors:

Viggo Mortensen
Ian McKellen
Elijah Wood
Noel Appleby		Everard Proudfoot
Alexandra Astin		Elanor Gamgee
Sean Astin		Sam
David Aston		Gondorian Soldier 3
John Bach		Madril
Sean Bean		Boromir
Cate Blanchett		Galadriel
Orlando Bloom		Legolas
Billy Boyd		Pippin
Sadwyn Brophy		Eldarion
Alistair Browning		Damrod
Marton Csokas		Celeborn
Richard Edge		Gondorian Soldier 1
Jason Fitch		Uruk 2
Bernard Hill		Theoden

Directors:

Peter Jackson |

Certification:

Canada:14 | Canada:14A | Malaysia:U | USA:PG-13 | Sweden:11 ... show all

IMDB Rating:

8.80 out of 10 (194463 votes)

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Storyline

Taglines:	1: This Christmas the journey ends. 2: There can be no triumph without loss. No victory without suffering. No freedom without sacrifice.
Plot Summary:	While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth.
Plot Keywords:	battle \| undead \| river \| atmospheric \| christ-figure \| alliance \| race-against-time \| mission \| peril \| journey \| melodrama \| famous-score \| ancient-sword \| tense \| magic \| stylized \| fantasy-life \| witch \| no-opening-credits \| skull ... show all Complete list of certificates: hide battle \| undead \| river \| atmospheric \| christ-figure \| alliance \| race-against-time \| mission \| peril \| journey \| melodrama \| famous-score \| ancient-sword \| tense \| magic \| stylized \| fantasy-life \| witch \| no-opening-credits \| skull \| epic \| middle-earth \| sequel \| sword-and-sorcery \| castle \| dwarf \| elf \| good-versus-evil \| halfling \| hobbit \| orc \| tolkien \| decapitation \| severed-finger \| throat-slitting \| giant-spider \| bravery \| courage \| eye \| friendship \| heroism \| king \| loyalty \| ring \| sword \| war \| wizard \| beowulf \| third-part \| animal-attack \| animate-tree \| archery \| battering-ram \| betrayal \| catapult \| cavalry \| cliff \| cocoon \| combat \| coronation \| crushed-to-death \| crystal-ball \| curse \| death \| decoy \| disguise \| dream-sequence \| eagle \| elephant \| fall-from-height \| father-daughter-relationship \| father-son-relationship \| fight \| fishing \| flashback-sequence \| forest \| fortress \| ghost \| giant-bird \| impalement \| invisibility \| loss-of-son \| madness \| murder \| old-age \| person-on-fire \| premonition \| presumed-dead \| prologue \| pyre \| quest \| rescue \| sailboat \| severed-head \| siege \| signal-fire \| singing \| slow-motion \| staircase \| stairs \| suicide \| suspicion \| sword-fight \| temptation \| tomb \| tower \| troll \| tunnel \| uncle \| underwater \| unrequited-love \| volcanic-eruption \| volcano \| walled-city \| wedding \| wound \| wraith \| gardener \| self-immolation \| broken-back \| broken-leg \| darkness \| deception \| disfigurement \| fate \| insanity \| loss-of-brother \| loss-of-father \| loss-of-friend \| nightmare \| severed-nose \| shot-in-the-forehead \| shot-in-the-head \| shot-in-the-neck \| shot-in-the-shoulder \| shot-in-the-stomach \| spirit \| stabbed-in-the-arm \| stabbed-in-the-back \| stabbed-in-the-leg \| stabbed-in-the-mouth \| stabbed-in-the-neck \| stabbed-in-the-side \| strangulation \| tragedy \| trampled-to-death \| blockbuster \| corruption \| female-soldier \| female-warrior \| soldier \| warrior \| female-fighter \| arrow \| boat \| bow \| dragon \| fire \| greed \| lava \| marriage \| monster \| pub \| sorcerer \| survival \| wedding-ceremony \| attempted-murder \| city \| daughter \| defense \| departure \| exhaustion \| gate \| horn \| horse \| paralyzed \| plain \| princess \| retreat \| ship \| song \| split-personality \| vision \| part-of-trilogy \| harbor \| lava-stream \| light \| dark-hero \| abyss \| destiny \| hope \| tied-up \| dying-words \| tragic-villain \| wilhelm-scream \| honor \| humanity \| warrior-woman \| bittersweet \| brotherhood \| idealism \| tragic-hero \| warrior-race \| cult-director \| cult-favorite \| sequel-to-cult-favorite \| death-of-father \| based-on-novel \| twist-in-the-end \| returning-character-killed-off

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Customer Reviews

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Reviews found: 1, viewing from 1 to 1

Page: 1

In my opinion

posted on 19 September 2007

If we speak about the film as a whole, without stopping, at the small episodes - the "return of king" - the worthy completion of the first two parts. Under piDzheyu it was possible to combine in it the "fairytale atmosphere" of the first part, and "severe, terrible" for the second. Here like recently only was completed battle, there are many be killeden and injured, "began battle for Sredizem'e", and Merri and Pippin dance on the table and sing glad songs, and literally through the pair of seconds all this is changed by "dark" personnel Gorlumom, that solve as to take possession of ring. Eternally undispairing Legolas, dear Of gimli with its jokes, undispairing, prepared for new leprosy Merri and Pippin - all this gives hope, that everything will be good, in spite of tired eyes Frodo, the exhausted view Of sema, the sometimes uncertain view Of aragorna and, the frightened, lost eyes of the simple inhabitants Of minas of tyrite. Thirds of part evidently as "grew old" and "posurovel" Of gendal'f. There are no already its old jokes, it entire is assembled, entire is absorbed proceeding. Yoven, dear, daring Yoven, loving is its ideal, its knight. What stands its only one view, by which it looks at Aragorna, or its selfless courage with the battle with Nazgulom. Legolas, at long last thirds of part grew and it became more serious, or "grew" as actor itself Bloom. It has propala the "femininity" of the first two parts and now before us actually noble, wise, el'fiyskiy prince with the shrill, clean hazel eyes. But personnel, where it jumps on the elephant, I think, they will force to begin to palpitate more strongly not one maidenly serdechko.